| REI (1) |
Bow,
Respect. A method of showing respect in Japanese culture is the
Bow. |
| REI (2) |
Zero,
Naught. |
| REIGI |
Etiquette.
Also referred to as REISHIKI. Observance of proper etiquette at
all times (but especially observance of proper DOJO etiquette)
is as much a part of one's training as the practice of techniques.
Observation of etiquette indicates one's sincerity, one's willingness
to learn, and one's recognition of the rights and interests of
others. |
| REIMYO TOTE |
Miraculous
Karate. |
| REISHIKI |
Etiquette.
See Reigi. |
| REN |
Consecutive
(e. g. punches / kicks, Ren Tsuki /
Ren Geri. )
|
| REN-GERI |
Consecutive
Kicking, alternate kicking i. e. left
and then right. |
| RENOJI DACHI |
A
stance with feet making a 'L-shape. ' if called as Migi Renoji Dachi,
it means the Right foot is in front and Hidari
Renoji Dachi the left foot is
in front. |
| REN-TSUKI |
Consecutive
Punching, alternate punching i. e. left
and then right. |
| RENRAKU |
Combinations.
In relation to fighting combinations. |
| RENRAKU WAZA |
Combination
Techniques. Multiple attacks and defences performed in succession.
|
| ROKKOTSU |
Rib.
|
| RONIN |
A
leaderless samurai, he was seen as being of low moral virtue.
|
| RYO |
Both
or Both Sides. When said by itself this would be 'Ryoho'.
|
| RYOASHI |
Both
Feet or Legs. |
| RYO EMPI BARAI AGE |
Both
Elbows Sweeping Rise, As seen at the start of the Kata Tekki
Nidan.
This same move could also be called Ryo Hiji
Harai Age. It can be used when you have been grabbed from
behind in a 'bear hug' style grab, lifting your attackers
arms and freeing yourself. When used for real you should at the
same time bend your knees quickly in order to drop your body weight
and therefore assist you. |
| RYO GAN TSUKI |
Both
Eye Punch/Thrust. This is an application of Nihon Nukite.
|
| RYO KEN KOSHI KAMAE |
Both
Fists On Hip Stance. A stance where the fists are clenched and
placed on the hips. So that the two large knuckles are touching
the hips. As seen in the Katas Heian
Sandan and Gankaku. |
| RYO KOSHI KAMAE |
Both
Hip Stance. A stance where the fists
are clenched and placed on the hips. So that the bottoms of the
fists are touching the hips. As seen in the Kata Heian Yondan prior to the reverse
wedge block. |
| RYOSOKU |
Both
Sides. |
| RYOTE |
Both
Hands. |
| RYO TE DORI or RYO TE TSUKAMI |
Both
Hand Grasp. When you use both of your hands to grasp your attacker.
|
| RYO TE FUSE |
Both
Hand Defence / Both Hands To Ground, as seen in the Kata Kanku
Dai. Where you drop to the ground with both of your hands on it.
|
| RYO WAN GEDAN KAKIWAKE |
Both
Arm Lower Level Reverse Wedge, As seen in the Kata JI-ON. |
| RYO WAN KAMAE |
Both
Arm Stance a wide arm stance, where the arms are held at 45 degree's
from the body, helps gives stability when practising basic kicking
techniques. |
| RYO WAN MAWASHI UDE UKE |
Both
Arm Round House Forearm Block, as seen in the Kata Kanku
Dai. |
| RYO WAN UCHI-UDE KE |
Both
Arm Inside Fore-Arm Block, as seen in the Kata Meikyo. |
| RYU |
In
Karate we use it to mean 'School' or 'Style'. RYU really means
to flow, drift or circulate. It is made up of two kanji. The left
one being the symbol for water and the right one being a foetus
in the 'easiest position for delivery' a head presentation. The
foetus is pictured with flowing hair. The kanji when combined
is used for the current or flow of a river. RYU has been used
to mean "style" or "method" because of the
way Karate was taught. In more primitive times, the style was
"handed down"-"Circulated" from master to
pupil - hence the use of the character RYU. Ryu
is also the Japanese for Dragon. |