| KA |
Person
or Practitioner. |
| KACHIKAKE |
Point
on Jaw. Also see Ago. |
| KAESHI |
Counter,
the countering of an opponents offensive action. Sometimes this
seen spelt as Kaesu. |
| KAESHI IPPON KUMITE |
Returning
One Step Sparring, or Countering One Step Sparring. 'A' calls
the first attack against 'B' and then attacks. B then steps back
and blocks A's attack. B then returns stepping forwards and attacks
A, A steps back and blocks and counters this attack. |
| KAFUKUBU |
Abdomen.
|
| KAGI |
Hook.
|
| KAGI TSUKI |
Hook
Punch. Sometimes called 'Flowing Water Punch'. |
| KAGI UKE |
Hooking
Block. |
| KAHANSHIN |
Lower
half of the body. |
| KAHO |
Downward.
|
| KAI |
Style,
as in Shotokai. |
| KAISHIN |
Open
Heart, The beginning move of the kata Kanku Dai. |
| KAISHO |
Open
hand. This refers to the type of blow/block which is delivered
with the open hand. It can also be used to describe other hand
blows in which the fist is not fully clenched or blocks with an
open hand. |
| KAISHO KOSA UKE |
Open
Hand Cross Block. |
| KAISHO RYO WAN KAMAE |
Open
Handed Both Arm Posture, as seen in the Kata Hungestsu. |
| KAISHO UKE |
Open
Hand Block. |
| KAISHO YAMA KAMAE |
Open
Handed Mountain Posture, as seen in the Kata Hungestsu. |
| KAITEN |
Turn
or Rotate. |
| KAITEN TE |
Rotate
Hands, As seen in the Kata Empi after the Jo Uke. |
| KAIUN NO TE |
Open
The Cloud. From the Kata Unsu |
| KAKAE NAGE |
Trapping
Throw. |
| KAKAE TE UKE |
Trapping
Hand Block |
| KAKATO |
Heel
(of the foot) |
| KAKATO GERI |
Heel
Kick or also known as Axe Kick, striking with the back of the
heel of the foot. |
| KAKE |
Hooking.
|
| KAKE DORI |
Hooking
Grasp/Pull, as seen three times in the Kata Hungestsu. |
| KAKEHIKI |
Tac-Tic's.
|
| KAKE SHUTO UKE |
Hooking
Knife Hand Block. |
| KAKE TE |
Hooking
Hand. |
| KAKE UKE |
Hooking
Block. |
| KAKE WAZA |
Hooking
Techniques. |
| KAKIWAKE UKE |
Reverse
Wedge Block. A two handed block used when an attacker attempts
to grab the front chest area of the defender. The defender brings
both of his arms up between the attackers arms and then pulls
them apart. As seen in the Kata HEIAN YONDAN. |
| KAKUSHI WAZA |
'Hidden
techniques' You may also see hidden as Kakusu. |
| KAKUTO |
Bent
Wrist. |
| KAKUTO UCHI |
Bent
Wrist Strike. Wrist joint strike. Also known as 'KO UCHI'. |
| KAKUTO UKE |
Bent
Wrist Block. Wrist Joint Block. Also known as KO UKE. |
| KAMAE |
Posture
or Stance. Kamae is sometimes spelt GAMAE. |
| KAMAE KATA |
Posture
of the upper body. |
| KAMAE-TE |
A
command given by the instructor for students to get into position.
|
| KAMI |
Hair.
Kami Dori/Tsukami is Hair grab, from the kata Empi. Also see Ke.
|
| KAMI TSUKAMI |
Hair
Grab, as seen in the Kata Empi. This could also be called 'Ke
Tsukami'. |
| KAMITSUKU |
Bite.
Some might find this a strange entry on this site, but in a real
fight there are no rules and if biting your attacker helps you
win the fight, then do it. |
| KAMU |
Bite.
|
| KAN |
Fighting
awareness, or penetrating the true nature of things. |
| KANANERU |
Put
One On Top Of Another. |
| KANI BASAMI |
Crab
Claw(s). |
| KANJI |
The
symbols of Japanese writing. Karate is made up of two kanji. The
first being the symbol for 'Empty' and the second symbol being
for 'hand'. |
| KANKU DAI / SHO |
Viewing
The Sky. Two black belt Kata’s. Dai = Minor and Sho = Major. |
| KANSETSU |
Against
the joint. Also used to describe locking techniques against joints.
|
| KANSETSU UCHI |
Against
the joint Strike. |
| KANSETSU WAZA |
Against
the joint Techniques, or Locking Techniques. |
| KANTAN NA MONO YOKU KACHI O SEISU |
The
Balance Between Victory And Defeat Often Hangs On Simple Matters.
|
| KANZO |
Liver,
also seen spelt as 'Kimo'. |
| KANJI |
The
symbols of Japanese writing. |
| KAO |
Face,
as in of the head. |
| KAO HIDARI MUKI |
Face
Left Facing. This applies only to the head, it is different to
Left Facing, as this means the Face is facing left, even though
the body may be facing a different direction. |
| KAO MIGI MUKI |
Face
Right Facing. This applies only to the head, it is different to
right Facing, as this means the Face is facing right, even though
the body may be facing a different direction. |
| KAPPO |
Techniques
of resuscitating people who have succumbed to a shock to the nervous
System. In some books this is seen as Katsu. |
| KARA |
Empty,
when said by itself this would be 'Kara no'. In Karate we use
the Kara to imply that we are weapon-less or empty handed, which
is correct, but Master Funakoshi said "that the person who
follows Karate must make himself void or empty by ridding himself
of all self-centredness and greed, making yourself empty within,
but upright without. This is the real meaning of the 'Empty' in
Karate. |
| KARADA |
Body,
Physique. |
| KARATE |
The
word karate is formed by the joining of two Japanese kanji or
written characters. The first means 'empty'(it also means 'Leisure')
whilst the second means 'hand'(it also means 'Handy', 'Skill'
or 'Workman'). Karate is therefore simply translated as 'empty-hand'.
When Funakoshi came to Tokyo karate translated as 'Chinese-hands'.
Karate was sometimes referred to as 'Okinawan-te'. Funakoshi changed
the kanji to read empty hand and is credited with doing so in
1935 with the publication of 'karate-do kyohan'. Looking at the
Kanji for 'Kara' in more detail it is made up off two components.
The top one meaning 'Cave' and the bottom one meaning 'Labour'
and combinatively the characters may have been originally used
for caves made by man, a place made empty by labour. For 'Te'
the character depicts a full palm. In the ancient writing the
palm is depicted with representation of the lines of the palm.
|
| KARATE-DO |
The
Way of the Empty Hand. This implies not only the physical aspect
of Karate, but also the mental and social aspects of Karate. The
true translation is 'Empty Hand Way'. |
| KARATE-D0 NYUMON |
The
first book written by Gichin Funakoshi. It translates literally
as 'A passage through the gates of the Karate way'. |
| KARATE-KA |
A
practitioner of Karate. |
| KARATE NI SENTENASHI |
A
term which sums up the essence of the art, it means 'In Karate
There Is No First Strike'. This saying can be found engraved on
Master Funakoshi's memorial stone. |
| KARA TSUKI |
Empty
Punch. This is another name for Choku Tsuki or Straight Punch.
If you take a 'full' punch to be one where the hips, etc are used
to deliver maximum power, then this punch is the opposite as only
the arms are used, the opposite of 'full' being 'empty'. It is
a term used by Kanazawa Sensei. |
| KARIKOMI |
Cutting
In. |
| KASEI |
Under.
|
| KASEI GERI |
Under
Kick. This is a strict translation. It is kicking from under your
opponent. It is seen in the Kata Unsu where you are kicking from
the floor under your opponent. |
| KASEI NAGE |
Under
Throw, an application from the Kata Chinte where you are countering
a Mae Geri. |
| KASUI UKE |
Fire
and Water Block. From the Kata Kanku Sho. |
| KASUI KEN |
Fire
and Water Fist. From the Kata Kanku Sho. |
| KASUMI |
Temple
on the side of the head. Also see Komikami |
| KASUSATSU |
The
area between the fifth and sixth vertebra. |
| KATA (1) |
Form,
Figure or Shape. In Karate, Kata is a form or prescribed pattern
of movement fighting imaginary opponents. There are a total of
twenty seven in Shotokan. |
| KATA (2) |
Shoulder.
|
| KATA (3) |
Single
or One. |
| KATA-ASHI |
One
Leg or Single Leg. |
| KATA ASHI DACHI |
Single
Leg Stance, a general term for one leg stances used in Kata, this
terminology is used by Hirokazu Kanazawa in his Kata books. See
also Sashi Ashi Dachi, Tsuru Ashi Dachi and Sagi Ashi Dachi. |
| KATACHI |
Good
Form, as in shape, stance etc. |
| KATA HIZA DACHI |
One
Knee Stance. Best described as a half kneeling position. As used
in the Kata Gankaku. |
| KATANA |
A
type of Sword or Blade. |
| KATATE |
One
Hand or Single Hand. |
| KATATE UKE |
One
Hand or Single Hand Block. |
| KATSU (1) |
Win.
|
| KATSU (2) |
A
resuscitation technique. |
| KATSU (3) |
A
type of loud shout, similar to a Kiai. |
| KAWASHI |
'Interaction',
In practice you pass through your opponents attack, in effect
exchanging places with him. Stepping in towards the attacker,
while turning (kawasu) your body to avoid the attack. Evasion.
|
| KE |
Hair.
|
| KEAGE |
'Kick
Up' in karate we use this when describing snapping as opposed
to thrusting kicks. But see Keriage |
| KEBANASHI |
Kick
Off. |
| KEGA |
Injury
or Wound. May also see it spelt as 'Kizu'. |
| KEICHU |
Nape
of the neck. |
| KEIKO (1) |
Training
or Practice. The only secret to success in Karate. |
| KEIKO (2) |
Joined
Fingertips. |
| KEITO UCHI |
Chicken
Head Strike. |
| KEITO UKE |
Chicken
Head Block. |
| KEITO UKE NAGASHI |
Chicken
Head Blocking Sweep. As seen in the Kata Gojushiho Dai |
| KEKKAN |
Blood
Vessel. |
| KEKOMI |
Thrust
Kick ( Literally, Kick Into/Straight ). See Kerikomi. |
| KEMPO |
'Fist
Law'. A generic term to describe fighting systems that uses the
fist. In this regard, KARATE is also KEMPO. Although Fist is normally
spelt Ken. |
| KEN (1) |
Fist.
|
| KEN (2) |
Sword.
|
| KEN EMPI ZOE |
Fist
On Elbow, as in Morote Uke. |
| KENSEI |
The
technique with silent KIAI. Related to meditation. |
| KENSEITAI |
Feint.
From the Kata Nijushiho. |
| KENTSUI |
Hammer
Fist Also known as TETTSUI. Hammer can also be spelt as Kanazuchi.
|
| KENTSUI UCHI (Or TETTSUI UCHI) |
Hammer
Fist Strike. |
| KENTSUI UKE (Or TETTSUI UKE) |
Hammer
Fist Block. |
| KERI |
Kick,
you will see kick spelt this way. My normal spelling used on this
site is GERI. From my research I would suggest that 'Keri' is
in fact the older of the two spellings. |
| KERIAGE |
Kick
Up, this is the original name for a snap kick or 'Keage'. Before
the 1960's there was no such kick as a 'Keage' it was Keriage.
This has become shortened through time to Keage. You may see translations
of Keage as 'Kick Up' this in fact relates back to the original
name for the kick or 'Keriage'. |
| KERIKOME |
Kick
In, this is the original name for a thrust kick or 'Kekomi'. Before
the 1960's there was no such kick as a 'Kekomi' it was Kerikomi.
This has become shortened through time to Kekomi. You may see
translations of Kekomi as 'Kick In' this in fact relates back
to the original name for the kick or 'Kerikomi'. |
| KERI WAZA |
Kicking
Techniques. |
| KERU |
Kick.
Mainly now spelt Geri, but also can be seen as Keri. |
| KESA GERI |
Diagonal
Kick, aimed at the opponents side. |
| KE TSUKAMI |
Hair
Grab, as seen in the Kata Empi. This could also be Kami Tsukami.
|
| KETTO |
Blood.
|
| KI |
Mind,
Spirit, Energy, Vital-force, Ether, Breath, Air, Primal Aura,
Vital Fluid, Life-giving principle, Intention. (Chinese ‘chi’)
The definitions presented here are very general. KI is one word
that cannot be translated directly into any language. The kanji
is made up of two components, the top one being vapour curling
and rising from the ground and forming clouds. The bottom one
being rice after it is hulled. The combination of these two shows
the fumes rising from the fermented rice, ether; breath; air.
|
| KIAI |
A
shout delivered for the purpose of focusing all of one's energy
into a single movement. One translation of kiai that I have found
is "the expression of vital spirit". It is often translated
as "spirit yell" but it really means "spirit harmony".
|
| KIBA DACHI |
Straddle
Stance. Also known as HORSE RIDING STANCE. |
| KIHAKU |
Spirit.
|
| KIHON |
Basic,
(Something which is) fundamental. Basic techniques. |
| KIHON IPPON KUMITE |
Basic
one step sparring. The attacking student calls the attack. The
defender blocks and counters the attack. All carried out in basics.
Kihon Kumite would be Basic Sparring. |
| KI KAMAE |
Mental
Preparation Posture. It is the posture you hold when you are preparing
yourself prior to action. |
| KI KEN TAI NO ITCHI |
Spirit,
Technique and body as one. |
| KIME |
Focus
of Power and concentration. Kime comes about as a result of Shin-Gi-Tai.
|
| KIN GERI |
Front
Arch Kick. A kick to the groin using the instep. |
| KING SHO HASHI (1372-1439) |
A
Chuzan King, said to be the man who by banning the carrying of
weapons in Okinawa during the 15th century indirectly led to the martial arts being formed.
|
| KINNIKU |
Muscles.
|
| KINTEKI |
Testicles.
|
| KI-O-TSUKE |
Attention.
Musubi Dachi with open hands down both sides. |
| KIREI TU |
Stand
Up. |
| KIRI |
Cut
or Repeat, you may also see this spelt as 'Kiru'. |
| KIRI KAESHI |
Repeated
Counter, as used in the Kata Bassi-Dai. It means to 'repeat' or
'do over again'. You may also see it spelt as 'Kiri-Kaesu' |
| KISHO IPPON KUMITE |
Returning
One Step Sparring. A calls the first attack against B and then
attacks. B then steps back and blocks A's attack. B then returns
stepping forwards and attacks A, A steps back and blocks and counters
this attack. |
| KITSUTSUKI NO KAMAE |
Woodpecker
Posture. From the Kata Gojushiho Dai. |
| KIZAMI GERI |
Jabbing
Kick. Also called Kizami Mae Geri, It is a front kick off the
front leg. Thrown with a jabbing action. |
| KIZAMI TSUKI |
Jabbing
Punch. |
| KO (1) |
Arc.
|
| KO (2) |
Back.
|
| KO BO ICHI (ITTCHI) |
The
concept of Attack-Defence Connection. There is no attack, there
is no defence, the two are simultaneous |
| KOBORE |
Tibia.
|
| KOBUSHI |
Fist,
but in Karate we use 'Seiken' |
| KODENKO |
The
base of the spine. |
| KO EMPI UCHI |
Rear
Elbow Strike. Today we normally say Ushiro Empi Uchi. |
| KOHAI |
A
student junior to oneself. |
| KOHO |
Means
either Back, Behind or Rear. |
| KOHO KAITEN TOBI |
Rear
Turning Jump, as used in the Kata Empi. |
| KOHO OSAE |
Rear
Grab, Describing when you are grabbed from behind, in a 'bear
hug'. |
| KOHO SHUTO KAMAE |
Behind
Knife Hand Posture, (as seen in the Katas Meikyo and Bassai Dai)
KOHO describes where you have moved behind your attacker. |
| KOHO TENKAN |
Reversing
Direction. |
| KOHO TSUKI AGE |
Back
or reverse Punch Rising, a rising punch coming vertically up under
the opponents chin. As seen in the Kata Heian Godan. |
| KOKEN |
Wrist
joint or Bent Wrist. One of the translations is 'Arc Fist' |
| KOKO |
Tiger
Mouth. |
| KOKO HIZA KUZUSHI |
Tiger
Mouth Knee Take / Pull Down as seen in the Kata NIJUSHIHO. |
| KOKO OSAE |
Tiger
Mouth Grasp. |
| KOKORO |
Spirit,
Heart. In Japanese culture, the spirit dwells in the Heart. |
| KOKO UCHI |
Tiger
Mouth Strike. A strike using the area between the thumb and index
finger. |
| KOKO UKE |
Tiger
Mouth Block |
| KOKOTSU |
The
centre point of the fibula and tibia(shin bone). |
| KOKUTSU DACHI |
Back
Stance. A stance which has most of the weight (70%) to the back.
The actual translation means Back Knee Bent Stance. |
| KOKYU |
Breath
or Breathing. |
| KOMEKAMI |
The
temple area of the head. |
| KOMI |
Near
or Against. |
| KORI |
The
upper surface of the instep. |
| KOSA |
Cross.
If said by itself it would be 'Kosa Suru'. |
| KOSA DACHI |
Crossed
Stance referring to the feet. or Kosa Ashi Dachi. |
| KOSA UKE |
Crossed
Block, different to Ju-Ji Uke as the arms do not finish crossed.
An example of Kosa Uke can be seen at the second block in Heian
Sandan where the arms cross in front of the body and perform two
separate blocks. |
| KOSHI (1) |
Ball
of Foot. |
| KOSHI (2) |
Hip/Waist.
|
| KOSHI KAMAE |
Hip
Posture/stance. A stance where the fists are held one above the
other against the hip. |
| KOSHIN |
Rearward.
|
| KOSHI NO KAITEN |
Hip
Rotation. |
| KOTE (1) |
Wrist,
another translation for Wrist. TE is on the end to signify that
it is of the hand. Ko means Arc. |
| KOTE (2) |
Back
Hand. |
| KOTE (3) |
Forearm.
In some cases you will see KOTE as forearm as in 'Omote-Kote'
or 'Outer Forearm' |
| KOTE HODOKI WAZA |
Wrist
releasing techniques. |
| KO UCHI |
Wrist
joint strike. Also known as KAKUTO UCHI. |
| KO UKE |
Crane
Block or Arc Block. Same as KAKUTO UKE. |
| KOWASU |
Break.
|
| KUBI |
Neck.
|
| KUCHI |
Mouth.
|
| KUCHI BUSHI |
Mouth
Warriors. A derogatory term for People who train insufficiently
yet become 'masters'. Funakoshi said "Kuchi Bushi are as
common as grains of sand on a beach". |
| KUCHIBIRU |
Lip.
|
| KUMADE |
Bear
Hand. (also means Rake or Fork). To say 'Bear' by itself it would
be 'Kuma' so should 'Bear Hand' be 'Kumate' in stead of 'Kumade'
which would make more sense? This technique is probably the least
practice in karate. It also does not appear in a single shotokan
kata. |
| KUMADE UCHI |
Bear
hand strike. |
| KUMITE |
Fighting
/ Sparring |
| KUN |
Oath.
|
| KUSAGAKURE |
The
outside edge of the top of the foot. |
| KUSSU |
Bent,
for example, Hiza Kussu is Bent Knee. |
| KUTSU |
Pain.
|
| KUZUSHI |
Breaking
or Upsetting. |
| KYO |
Teach
or Teaching. When said by itself it would be 'Kyoju'. |
| KYO DACHI |
Take
Up Stance, seen in the Kata Sochin when you bring your rear leg
up when performing the Hand Pressing Block and Spear Hand Strike.
This movement could also be called Ushiro Suri Ashi or Rear Leg
Sliding. |
| KYOEI |
Area
below the armpits, approximately the spot between the fifth and
sixth ribs. |
| KYOKU |
Breathing.
|
| KYOSEN |
Solar
Plexus. For this it is better to use Suigetsu. |
| KYOTOTSU |
Base
of breastbone or sternum. |
| KYU |
Grade.
Any rank below Shodan. |
| KYUSHIN |
To
Study or Seek. You may also see this as Kyoshin. |
| KYUSHO |
Vital
Spots. These will be your target areas when attacking. |
| KYUSHO WAZA |
Vital
Spot Techniques. |