| HA |
Tooth.
|
| HACHIJI DACHI |
Open
Leg Stance. The feet are positioned about one shoulder width apart
and pointed outwards at 45 degrees. It actually translates to
'Figure Eight Stance' and the true full name for this stance should
be 'Soto Hachiji Dachi', and when the feet are angled in at 45
degrees the name is 'Uchi Hachiji Dachi'. |
| HADA |
Skin.
also see Hifu. |
| HADASHI |
Bare
Feet. |
| HAGUKI |
Gums.
|
| HAI (1) |
Yes.
|
| HAI (2) |
Lung.
|
| HAIMEN |
Back
or Rear Side. |
| HAISHU |
Backhand
or Back of the hand. The 'back' part of the translation is on
the 'HAI' which if said by itself would be HAIGO. (the 'go' is
taken off when added to another Kanji). |
| HAISHU AGE UCHI |
Back
Hand Rising Strike. Used in the Kata Nijushiho. |
| HAISHU AWASE UKE |
Backhand
Combined Block, the opening block in the Kata Gankaku. Also seen
in Bassai Sho. |
| HAISHU JUJI UKE |
Backhand
Cross Block. |
| HAISHU UCHI |
Back
Hand Strike. A strike with the back of the hand where the hand
and fingers are straight. |
| HAISHU UKE |
Back
Hand Block. A block using the back of the hand. |
| HAISOKU |
Instep
of the foot. The area at the base of the shin bone and the top
of the foot. |
| HAITO |
Ridge
Hand. Thumb extended across the palm touching the base of the
little finger and striking with the area just below the base of
the index finger to the first joint of the thumb. The temple is
a good target for this technique. |
| HAITO KOSHI KAMAE |
Ridge-hand
Hip Posture. Used in the Kata Bassai Sho. The bottom hand is held
as Seiken and the top hand is held in haito with the palm facing
up. |
| HAITO SUKUI NAGE |
Ridge-hand
Scooping Throw. Used in the Kata Bassai Sho. Used to counter a
front kick. As you scoop the leg you bring it up high, hopefully
taking your attacker off balance and throwing him to the floor.
In the Kata this move then finishes with a lower level bottom
fist strike. |
| HAITO UCHI |
Ridge-hand
Strike. |
| HAITO UKE |
Ridge-hand
Block. |
| HAI-WAN |
Back
Arm. |
| HAI-WAN NAGASHI UKE |
Back
Arm Sweeping Block. Nagashi actually means FLOWING as in Nagashi
Tsuki, or Flowing Punch as seen in the Kata Sochin but in this
translation we say Sweeping. |
| HAI-WAN UKE |
Back
Arm Block. |
| HAJIME |
Begin.
A command given to start a given drill, Kata, or Kumite. In strict
Japanese this should really be Hajimeru, but we take off the 'ru'.
|
| HAN |
Half.
When said by itself it would be Hansu. |
| HANA |
Nose.
|
| HANAJI |
Nosebleed.
|
| HANGETSU |
A
Black Belt level Kata. Meaning Half Moon. Sometimes this Kata
is seen as Hungestsu. |
| HANGETSU DACHI |
Half-Moon
Stance. As above this is also seen spelt as Hungestsu. It is also
known as Wide Hour Glass Stance. |
| HANMI |
Side-on,
half front facing position. |
| HANMI SASHI ASHI DACHI |
Side-on
or Half Front Facing Stepping Across Position, as seen in the
Kata Hungestsu. |
| HAN ZENKUTSU DACHI |
Half
Front Stance, where the feet are only half the distance apart
from the full stance. Also see Moto Dachi. |
| HARA |
Abdomen,
Belly, means the same as Tandan. |
| HARAI |
Sweep
or Sweeping. Normally seen as BARAI. |
| HARAI FUMIKOMI GERI |
Sweeping
Stamping Kick, as seen in the Kata Bassai Dai. |
| HARAI TE |
Sweeping
technique with the hand. Harai = Barai = Sweeping and Te = Hand.
|
| HARAI WAZA |
Sweeping
techniques. |
| HARU |
Spread.
|
| HASAMI |
Scissors.
|
| HASAMI GERI |
Scissor
Kick. |
| HASAMI TSUKI |
Scissor
Punch. |
| HASAMI (UDE) UKE HIZA KAMAE |
Scissor
(Forearm) Block Knee Posture. As seen in the kata Nijushiho. Where
both forearms perform a scissor block and at the same time the
right knee raises attacking the groin. |
| HASAMI TETTSUI UCHI |
Scissor
Bottom Fist Strike. As seen in the kata Bassai Dai. Where both
bottom fists perform a scissor strike in to the sides of your
attackers body. |
| HAYAI |
Quick,
Fast or Rapid. |
| HAZUSHI |
Pulling
Away. |
| HAZUSHI TE |
Pulling
Away Hand, used to describe when you pull your hand away, after
it has been grasped in the Kata Heian Shodan, prior to the Tettsui
Uchi. |
| HEIAN |
Peace
or Tranquillity, or peaceful mind. These five kata were originally
called Pinan. Funakoshi noted that each of the Heian kata should
take about one minute to perform. |
| HEIKO DACHI |
Parallel
stance. A natural stance. Feet positioned about one shoulder width
apart, with feet pointed straight forward. |
| HEIKO IPPON KEN |
Parallel
One Knuckle Fist, as seen in the Kata Hungestsu. |
| HEIKO TSUKI |
Parallel
Punch (A double, simultaneous punch). |
| HEIKO TATE TSUKI |
Parallel
Vertical Fist Punch, As seen in the Kata Gojushiho Dai. |
| HEIKO URA TSUKI |
Parallel
Close Punch. Used in the Kata Bassai Sho. |
| HEISHIN |
Closed
Heart. The last move in the kata Kanku Dai. |
| HEISOKU DACHI |
An
informal attention stance. Feet and toes are together and pointed
straight forward. This stance used to be called 'Blocked Foot
Stance'. |
| HENKA |
Changing.
|
| HENKA WAZA |
Changing
Techniques. |
| HICHU |
The
base of the throat, Adam's apple or projection of the thyroid
cartilage of the larynx. |
| HIDARI |
Left
or Left Side. Sometimes also see spelt as Hadari. |
| HIDARI KAMAE |
Left
Posture. Used to describe when your left side is forward in a
stance. |
| HIDARITE |
Left
Hand. |
| HIDARI JIGO TAI |
Left
defensive Posture, although TAI means body it translates better
in this case as Posture. |
| HIDARI KAGI KAMAE |
Left
Hooking Stance/Posture, as seen in the Kata Hiean Godan. |
| HIDARI NANEME NI YOKERU KOTO |
Left
diagonal evasion. |
| HIFU |
Skin.
also see Hada. |
| HIHO |
Secret
Method. |
| HIJI |
Elbow,
also known as Empi. HIJI is the older version. EMPI is now the
most commonly used. You may also see it spelt as Enpi. |
| HIJI-ATE |
elbow
strike (also called EMPI-UCHI). |
| HIJI ATEMI or HIJI ATE |
Elbow
Strikes. |
| HIJI-SURI UKE |
Elbow
Sliding Block. Some find this a hard technique to master because
of the timing, as the elbow comes up and blocks you then extend
your arm so that it slides along and as it extends you strike
your attacker but it has to be done in one fast fluid movement.
|
| HIJI UKE |
Elbow
Block, a blocking action using the elbow. |
| HIJI WAZA |
Elbow
Techniques. |
| HIJIZUME |
Elbow
Joint. |
| HIKI |
Retract
or Pull Back. Also sometimes spelt as Hiku. |
| HIKI-ASHI |
Retracting
Leg, pulling your front leg back so that it is level with what
was the rear leg. i. e. to avoid a sweep. |
| HIKIOROSHI |
Lower.
i. e. Dropping fist either side of knee seen in the kata Heian
Yondan. |
| HIKI-TE |
The
retracting (pulling and twisting) arm during a technique. It gives
the balance of power to the forward moving technique. It can also
be used as a pulling technique after a grab, or a backward elbow
strike. |
| HIKITE UKE |
Pulling
Hand Block. |
| HIKKAKU |
Scratch,
to wound with the nails. This is can be an application from the
Kata Bassai Sho, where you bring your fingers back across your
attackers eyes, slicing open his eyeballs. |
| HIKUME |
Low.
|
| HINERI |
Twist.
Sometimes this is also seen spelt as Hineru. |
| HINERI KAESHI |
Twist
Counter, As seen after each Lunge Punch in the Kata Kanku Sho.
|
| HINERI TENSHIN |
A
move where you twist and change your course, for example when
you twist your wrist out of the grip of your opponent and at the
same time change your body course, Hineri = Twisting and Tenshin
= Changing Course. It is seen in the Katas Heian Sandan and Kanku
Dai. |
| HINERITE UKE |
Twisting
Hand Block. |
| HINERI YOKO EMPI UCHI |
Twisting
Lateral Elbow Strike. |
| HINERU |
Twist.
Sometimes this is also seen spelt as Hineri. |
| HIRA |
Flat
or Level. |
| HIRA HASAMI |
Flat
Scissors. Today this is normally called Koko or Tiger Mouth. |
| HIRAKEN |
Flat
Fist or Fore knuckle fist, as in a punch but with the knuckles
extended. Some times referred to as Flat Fist or Level Fist. Also
referred to as Hiraken Tsuki. |
| HIRA-KOTE |
Level
Forearm. Centre of the outer and inner forearms. |
| HIRA NUKITE |
Level
Spear Hand or Level Piercing Hand. This is when the palm is facing
down. |
| HIRATE |
Flat
or Level Hand. |
| HIRATE DE UTSU |
Slap,
as in open handed strike. |
| HIRATE OSAE UKE |
Fore
Hand Pressing Block, or Flat Hand Pressing Block. Used in the
Kata Kanku Sho. |
| HISHIRYO |
Think
without thinking; consciousness beyond thought. |
| HITAI |
Brow/Forehead.
|
| HITOSASHI IPPON KEN |
Forefinger
Knuckle Fist, more commonly seen as IPPON KEN, but also seen as
Hitosashiyubi Ippon Ken. |
| HITOSASHIYUBI IPPON KEN |
Fore
Finger Fist. Today it is normally just called Ippon Ken, but may
also be seen as Hitosashi Ippon Ken. |
| HIZA |
Knee
or Lap. |
| HIZAGASHIRA |
Knee
Cap. |
| HIZAGASHIRA GERI |
Knee
Cap Kick. |
| HIZA GERI |
Knee
Kick. |
| HIZAKANSETSU |
Knee
Joint. |
| HIZKEN GERI |
Kneefist
Kick. Another name for Hiza Geri. |
| HIZATSUI |
Knee
Hammer. |
| HIZA UKE |
Knee
Block, A blocking action using the knee. |
| HIZA WAZA |
Knee
Techniques. |
| HO |
Step
or Pace. |
| HOKO |
Direction.
|
| HOMBU DOJO |
A
term used to refer to the central dojo of an organisation. |
| HON |
Basic
or Fundamental. |
| HONE |
Bone.
|
| HOO |
Cheek.
|
| HORAN NO KAMAE |
'Egg
in the Nest Posture' or Ready Position used in some KATA where
the fist in covered by the other hand. Another way of explaining
this position is that Empty Hand (karate) over comes Angry Fist.
(A non-karate person). It is also called Wrapped Fist. Also see
JIAI NO KAMAE which I think is a better term for this position.
|
| HUNGETSU |
Half
Moon. A black belt kata mainly performed from Hungetsu Dachi.
This kata is sometimes seen spelt as Hangetsu and as 'Mangetsu'
means 'Full Moon' and 'Han' means 'Half' the spelling 'Hangetsu'
may be more correct. |
| HUNGETSU DACHI |
Half
Moon Stance. Also seen spelt as Hangetsu Dachi. |
| HYOSHI |
Rhythm.
|